Today, the hip-hop industry and everything connected with it – music, clothes, concert tickets – is a place where many billions of dollars rotate, but from the beginning of the 70s to the beginning of the 80s it was more of a job from the category ” Do it yourself”. DJs and AMs burned at parties in community centers; dancers practiced their movements in clubs, not in video; and artists began to wrest their way from the bottom, and not from the galleries. It was in that spirit that Eric Orr, an artist from the Bronx, published the comic strip “Robot Max Max” dedicated to hip-hop culture in 1986, which became widely known as the first hip-hop comic book. Orr fell in love with comics in his early childhood — so much so that he and his brothers were ready to steal Sunday comics from the church. The first comic-style drawing he created depicted Charlie Brown (the hero of the comic book series Little Bellied Trigger, orig. Peanuts – approx. Continue reading
“Nobody will fall in love with Peter” and other subtleties of a forgotten rock opera about Spider-Man
Of course, it may seem that the most curious musical adventure involving Peter Parker is the 2011 Broadway musical Spider-Man: Extinguish Darkness, which seemed to curse long before the premiere, which resulted in notorious problems – actors’ injuries, monstrous cost and many rewrites due to caustic reviews. After the longest preview period in Broadway history (182 appearances), the New York Times critic Ben Brantley asked: “So this climb from enchantingly unfit to extremely ordinary is now called a step up?” But “Redeem the Darkness” will win in the Strange Films category comics ”only if you are silent (or perhaps forget) about the rock opera of the 70s,“ Rock reflection of a superhero ”. SPOILERS ARE POSSIBLE This concept album of prog rock music, released in the 75th, touched on some important moments in the life of Spider-Man and several of its most striking antipodes, and all this is glued together by the author’s narrative by Stan Lee himself (Marvel president of those times, the creator of a Continue reading
When more than thirty years ago Tsai (Tsai Chih Chung) decided to adapt Sun Tzu’s “Art of War” into a more modern format, he wanted to breathe new life into the 2500-year-old text. “When interpreting the need to pass on the classics to new generations, people often mean classics that are extremely sterile, monotonous and, in truth, tedious,” Tsai explained. Having studied several editions of the treatise and secondary sources, he realized that he was able to rethink The Art of War (which to this day remains one of the most important literary works about war and strategy) and present it to the world as an illustrated story. In 1990, Tsai created a comic version for a Chinese audience, and in 1994 an English version. Since then, millions of copies of his expanded, Illustrated Chinese Classics Library series (which included, among others, the book) have been sold.
Tsai’s adaptation revived the millennial treatise The Art of War. The artist cut out repeating, narrative-dragging elements until the ancient lessons of the war came to life on the pages. But it was drawings that became the defining element of Tsai’s work. His style, somewhat reminiscent of Disney cartoons, brings Continue reading